- Performance on the stage of the Globe theatre in London
- International cohort of USA and students from across the world
- Intensive skill training by leading UK and international faculty
This is a unique professional course that has been designed specifically for overseas students.
MA/MFA Acting (International) offers the full spectrum of acting skills, including voice, movement and singing and approaches to rehearsal and public performances. It draws on existing practice but supplements this work with specific teaching and learning processes especially suitable for overseas students.
The course focuses on advanced practical acting skills and also takes in the study of Shakespeare and other classical traditions. The MA runs for 1 year on a full-time basis and the MFA for 2 years. MA and MFA students take the same modules in their first year. In their second year, MFA students work within a repertory company format to present a range of fully-staged productions in each of the three terms, followed by a written dissertation or practical project.
MA/MFA Acting (International) offers regular classes, during the year, for English first-language and English second-language students. The English first language students (USA, Canada, Australia etc) concentrate on accent/dialect and received pronunciation (RP), while the second-language students focus more on accent, rhythm, stress and diction.
All students participate in public performances during their study. By the end of the course, you will be able to work in accurate English dialect and perform sophisticated texts with confidence.
The first term includes the module Acting Technique based on the Stanislavsky approach, which addresses the key physical and vocal skills for acting, enabling students who are coming from a variety of training traditions to identify and achieve the required level of preparation for the subsequent modules.
It also allows tutors to make a diagnostic assessment of your skills and potential, and identify and implement any additional work in these core areas.
The module on Shakespeare enables you to develop your understanding of the meaning and mechanics of Shakespeare’s text. It introduces you to specific vocal techniques for the performance of Renaissance text and allow you to consider how a range of archaic and contemporary performance settings influence the actor’s and director’s approaches to Shakespeare in performance.
In addition, you study a range of analytical and experimental approaches to script that are useful to the actor and there are opportunities to develop your clarity, accuracy, and expressiveness in speaking Renaissance text. The Shakespeare module normally includes a two-week workshop at Shakespeare’s Globe, where you have an opportunity to perform on the Globe stage.
The second term includes the Character and Scene Study module which extends the work begun in Acting Technique. It uses a Realist approach to acting as its base, allowing you to pursue longer and more challenging acting explorations. Scene work is undertaken on scripts by, for example, Ibsen, Strindberg, and Realist texts from the last 50 years. The module extends and applies Realist acting techniques, and includes a study of theories and assumptions underlying Realism.
A module on Contemporary UK Texts introduces you to key contemporary texts from the UK theatre, and to scripts from the twentieth-century that continue to have a place in and to influence contemporary UK theatre. It allows you to extend your vocal, physical, and analytical skills in the creation of roles that reflect a current cultural context and offers an opportunity to create and perform a complete role in the context of a fully staged play.
You work on a written dissertation or a practical project. The year usually culminates in a full length production in a London venue.
After East 15
You will have a comprehensive, professional training that will enable you to pursue a professional career in theatre and related professions in an increasingly global industry.